Arts and carfts

Madhubani painting is a style of Indian painting practiced in the Mithila region of Bihar, where powdered rice is colored and is stuck. Tradition states that this style of painting originated at the time of the Ramayana, when King Janak commissioned artists to do paintings at the time of marriage of his daughter, Sita, to Lord Ram. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas. Madhubani painting mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty. Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women. The painting was usually done on walls during festivals, religious events, and other milestones of the life-cycle such as birth,Upanayanam (Sacred thread ceremony), and marriage.

Manjusha Kala or Angika Art is an art form of Anga region of Bihar. Notably artist Jahar Dasguptaborn in Jamshedpur, Bihar which is presently under state Jharkhand.

A painting of the city of Patna, on the River Ganges, Patna School of Painting

Patna School of Painting or Patna Qalaam, some times also called Company painting, offshoot of the well-known Mughal Miniature School of Painting flourished in Bihar during early 18th to mid-20th century. The practitioners of this art form were descendants of Hindu artisans of Mughal painting who facing persecution from the MughalEmperor, Aurangzeb found refuge, via Murshidabad, in Patna during late 18th century. They shared the characteristics of the Mughal painters, but unlike them (whose subjects included only royalty and court scenes), the Patna painters also started painting bazaar scenes. The paintings were executed in watercolours on paper and on mica. Favourite subjects were scenes of Indian daily life, local rulers, and sets of festivals and ceremonies. Most successful were the studies of natural life, but the style was generally of a hybrid and undistinguished quality. It is this school of painting that formed the nucleus for the formation of the Patna Art School under the leadership of Shri Radha Mohan. College of Arts and Crafts, Patna is an important centre offine arts in Bihar.

Artisans selling their work near GPOPatna.

The artisans of Bihar have been very skillful in creating articles using local materials. Baskets,cups and saucers made from bamboo-strips or cane reed are painted in vivid colors are commonly found in Bihari homes. A special container woven out of Sikki Grass in the north, the "pauti", is a sentimental gift that accompanies a bride when she leaves her home after her wedding. The weavers of Bihar have been practicing their trade for centuries. Among their products in common use are the cotton dhurries and curtains. They are produced by artisans in central Bihar, particularly in the Patna and Biharsharif areas. These colourful sheets, with motifs of Buddhist artifacts, pictures of birds, animals, and/or flowers, gently wafting in the air through doors and windows, blown by a cool summer breeze, used to be one of the most soothing sights as one approached a home or an office. Bhagalpur is well known for its seri-culture, manufacture of silk yarn and weaving them into lovely products. It is known as the tussah or tusser silk.

[edit]Performing arts

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Main article: Music of Bihar

Magahi folk singers

Bharat Ratna Ustad Bismillah Khan, from Dumraon, Bihar

Bihar has contributed to the Indian (Hindustani) classical musicand has produced musicians like Bharat Ratna Ustad Bismillah Khan, who later migrated out of Bihar. Dhrupad singers like the Malliks (Darbhanga Gharana) and the Mishras (BettiahGharana), who were patronised by the Zamindars of Darbhanga and Bettiah respectively, have produced maestros like Ram Chatur Mallik, Abhay Narayan Mallick, Indra Kishore Mishra.

Perhaps, not well acknowledged and commercialised as those from the Dagar school of Dhrupad, they have kept the Dhrupad tradition in perhaps the purest forms. Gaya was another centre of excellence in classical music, particularly of the Tappa and Thumri variety. Pandit Govardhan Mishra, son of the Ram Prasad Mishra, himself, an accomplished singer, is perhaps the finest living exponent of Tappa singing in India today, according to Padmashri Gajendra Narayan Singh, former Chairman of Bihar Sangeet Natak Academy. Gajendra Narayan Singh also writes in his latest book "surile Logon Ki Sangat" that Champanagar, Banaili was another major centre of classical music. Rajkumar Shyamanand Sinha of Champanagar Banaili estate was a great patron of music and himself, was one of the finest exponents of classical vocal music in Bihar in his time. Gajendra Narayan Singh in his other book "Swar Gandh" has written that "Kumar Shyamanand Singh of Banaili estate had such expertise in singing that many great singers including Kesarbai Kerkar were convinced about his prowess in singing. After listening to Bandishes from Kumar Saheb, Pandit Jasraj was moved to tears and lamented that alas! he could have such ability himself" (free translation of Hindi text).

Bihar has a very old tradition of beautiful folk songs, sung during important family occasions, such as marriage, birth ceremonies, festivals, etc. and the most famous folk singer has been Padma Shri Sharda Sinha. They are sung mainly in group settings without the help of many musical instruments like Dholak, Bansuri and occasionally Tabla and Harmonium are used. Bihar also has a tradition of lively Holi songs known as 'Phagua', filled with fun rhythms. During the 19th century, when the condition of Bihar worsened under the British misrule, many Biharis had to migrate as indentured laborers to West Indian islands, Fiji, and Mauritius. During this time many sad plays and songs called biraha became very popular, in the Bhojpur area. Dramas on that theme continue to be popular in the theaters of Patna.

Dance forms of Bihar are another expression of rich traditions and ethnic identity. There are several folk dance forms that can keep one enthralled, such as dhobi nach, jhumarnach, manjhi, gondnach, jitiyanach, more morni, dom-domin, bhuiababa, rah baba, kathghorwa nach, jat jatin, launda nach, bamar nach, jharni, jhijhia, natua nach, bidapad nach, sohrai nach, and gond nach.

Theatre is another form in which the Bihari culture expresses itself. Some forms of theater with rich traditions are Bidesia, Reshma-Chuharmal, Bihula-Bisahari, Bahura-Gorin, Raja Salhesh, Sama Chakeva, and Dom Kach. These theater forms originate in the Angaregion of Bihar.